MyNetworkTV presents the all-new series, "Magic's Biggest Secrets Revealed" starring the Masked Magician. "Magic's Biggest Secrets Revealed" stars Val Valentino as the Masked Magician sometimes called the Masked Mr. M. 　　Val has been on TV many times in the past with shows like "Breaking the Magician's Code: Magic's Biggest Secrets Finally Revealed" with 3 additional series that followed with basically the same titles or a variation on those titles. The premiere episode will have special guest stars in 2 of the WWE's hottest Divas in Eve and Maria!

A biopic on singer moxia.cc Céline Dion.

节目迎来首位双性恋主人公。十六位嘉宾，男女混战，抢夺佳人芳心。更有往季嘉宾，重返节目参与竞争。各出奇招，只为夺得“初印象”玫瑰。@亿万同人字幕分享

他是维多利亚女皇的长子 　　他是注定要登上皇位的威尔士亲王 　　儿时的他，叛逆调皮 　　成年的他，迎娶了异国的公主，却又拈花惹草 　　那么，他一定是玉树临风，风度翩翩 　　错！ 　　他肥胖异常，举止轻浮，声名狼藉... 　　所有人都认为 　　他绝对绝对不会是一个合格的君主 　　连他的母亲都对他失望透顶 　　多年都不曾召见他 　　对他极度不信任 　　然而 　　一朝登基 　　他很快适应环境 　　成为一代明主！ 　　他就是 　　爱德华七世。 　　【文：桃夭】

The women who married Henry VIII have become defined 　　not by the way they lived but by the way their lives ended. 　　They are seen as victims of a bloated tyrant, deserving pity, but not 　　respect. However, have we under-estimated them and are historians right to 　　have merely portrayed them as bit-part players in Henry's story? 　　Using dramatic reconstruction and passionate narration, 　　eminent historian and presenter Dr David Starkey focuses 　　on the stories of the women themselves, revealing in 　　intimate detail their experiences of sex, childbirth and the glamorous, 　　dangerous life at court, including the deadly intrigues that dethroned 　　them.

Netflix first-ever global fan event to entertain and honor fans from around the world.

Neil Oliver returns to continue his epic story of how Britain and its people came to be, from the height of the Bronze Age through to the age of Iron, the Celts and the first kings to the age of Rome. 　　Part 1: Age of Iron 　　Part 2: Age of Warriors 　　Part 3: Age of Invasion 　　Part 4: Age of Roma

喜剧中心查理·辛吐槽大会 www.sinatv.cc

From the Vedas to Vasco da Gama to vacuous Bollywood plotlines, comedian Vir Das celebrates the history of India with his one-of-a-kind perspective. 　　Netflix Special.

quot;Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

Daniel Sloss HBO单口特辑